White as Silence, Red as Song Read online

  White as Silence, Red as Song

  English Translation © 2018 Thomas Nelson

  Bianca Come il Latte, Rossa Come il Sangue

  First published in Italian in 2010 by Mondadori.

  Copyright © 2010 Alessandro D’Avenia

  All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, scanning, or other—except for brief quotations in critical reviews or articles, without the prior written permission of the publisher.

  Published in Nashville, Tennessee, by Thomas Nelson. Thomas Nelson is a registered trademark of HarperCollins Christian Publishing, Inc.

  Author is represented by Andrew Nurnberg Associates Limited of 20–23, Greville Street, London EC1N 8SS.

  Interior design by Mallory Collins.

  Translated by Tabitha Sowden.

  Thomas Nelson titles may be purchased in bulk for educational, business, fund-raising, or sales promotional use. For information, please email SpecialMarkets@ ThomasNelson.com.

  Scripture references are adapted from the Holy Bible, New International Version®, NIV®. Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.® Used by permission of Zondervan. All rights reserved worldwide. www.zondervan.com. The “NIV” and “New International Version” are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.®

  Publisher’s Note: This novel is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or used fictitiously. All characters are fictional, and any similarity to people living or dead is purely coincidental.

  Epub Edition July 2018 9780785217077

  978-0-7852-1707-7 (ebook)

  Library of Congress Cataloging-in-Publication Data

  Names: D'Avenia, Alessandro, 1977- author. | Sowden, Tabitha translator.

  Title: White as silence, red as song / Alessandro D'Avenia ; [translated by Tabitha Sowden].

  Other titles: Bianca come il latte, rossa come il sangue. English

  Description: Nashville, Tennessee : Thomas Nelson, 2018.

  Identifiers: LCCN 2018014520 | ISBN 9780785217060 (hard cover)

  Classification: LCC PQ4904.A588 B5313 2018 | DDC 853/.92--dc23 LC record available at https://lccn.loc.gov/2018014520

  Printed in the United States of America

  1819202122LSC54321

  To my parents,

  who taught me to look at the sky

  with my feet on the ground.

  To my students,

  who show me every day how to begin again.

  A king’s son was eating at the dinner table. While slicing the ricotta, he cut his finger, and a drop of blood fell on the white cheese. He said to his mother, “Mamma, I would like a wife white like milk and red like blood.”

  “Why, my son, whoever is white is certainly not red, and whoever is red is by no means white. But go out all the same and see if you can find such a girl.”

  ITALO CALVINO,

  “THE LOVE OF THE THREE POMEGRANATES

  Contents

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Chapter 57

  Chapter 58

  Chapter 59

  Chapter 60

  Chapter 61

  Chapter 62

  Chapter 63

  Chapter 64

  Chapter 65

  Chapter 66

  Chapter 67

  Chapter 68

  Chapter 69

  Chapter 70

  Chapter 71

  Chapter 72

  Chapter 73

  Chapter 74

  Chapter 75

  Chapter 76

  Chapter 77

  Chapter 78

  Chapter 79

  Chapter 80

  Chapter 81

  Chapter 82

  Chapter 83

  Chapter 84

  Chapter 85

  Chapter 86

  Chapter 87

  Chapter 88

  Chapter 89

  Chapter 90

  Chapter 91

  Chapter 92

  Chapter 93

  Chapter 94

  Chapter 95

  Chapter 96

  Chapter 97

  Chapter 98

  Chapter 99

  Chapter 100

  Chapter 101

  Chapter 102

  Chapter 103

  Chapter 104

  Chapter 105

  Chapter 106

  Chapter 107

  Chapter 108

  Chapter 109

  Chapter 110

  Chapter 111

  Chapter 112

  Chapter 113

  Acknowledgments

  About the Author

  Chapter 1

  Everything is a color. Every emotion is a color.

  Silence is white—and I can’t stand white. It has no boundaries: a white elephant, a white flag, a white lie . . . In fact, white isn’t even a color. It is nothing, like silence. A kind of nothing without words or music. Silent, alone. I can’t be silent or alone, which are the same thing. I feel a pain just above my stomach—or inside my stomach, I’ve never quite worked it out—that compels me to jump on my run-down Batscooter without brakes (when will I get around to fixing it?) and ride aimlessly, staring at girls in the street to determine if I am alone. If any one of them stares back at me, I exist.

  But why am I like this? I lose control. I don’t know how to be alone. I need . . . even I don’t know what. It drives me crazy! So I have an iPod instead. Because when you know that the day ahead will taste like dusty tarmac at school, followed by a tunnel of boredom, homework, parents, and dog, over and over again until death do us part, the only thing that can save you is the right soundtrack. With a pair of headphones in your ears, you enter another dimension. You get into the right color mood. If I need to fall in love: melodic rock. If I need to recharge: pure heavy metal. If I need to pump myself up: rap and various kinds of profanities. That way I’m not alone. White. Someone is there to give color to my day.

  Not that I get bored. Theoretically I have thousands of ideas, ten thousand plans, a million dreams to fulfill, a billion projects to start. But I can’t seem to start a sing
le one because nobody’s interested. So I end up asking myself, Leo, who the hell are you doing this for? Forget it and enjoy what you have.

  There is only one life, and when it turns white, my computer is the best way to color it. I always find someone to chat with. (My nickname is Pirate, like Captain Jack Sparrow.) Because listening to others is something I can do. It makes me feel good. Or I get on my Batscooter without brakes and ride around. If I do have a destination, it’s to go to Niko’s and play a few tunes together, him on the bass guitar and me on the electric guitar. We’ll be famous one day. We’ll have our own band and we’ll call it The Crew. Niko says I should sing too because I have a good voice, but I’m shy. When you play the guitar your fingers do the singing, and fingers never blush. Nobody boos a guitarist, whereas a singer . . .

  If Niko is busy, I meet the others at the bus stop. It’s the stop outside school, the one where every single infatuated guy has declared his love to the world. There is always someone hanging out there, sometimes girls too. Sometimes even Beatrice is there, and that’s why I go. For her.

  It’s weird how nobody wants to go to school in the morning but then everyone hangs out there in the afternoon. The difference is that the vampires—the teachers, that is—have left. The bloodsuckers go home in the afternoon and crawl back into their sarcophaguses waiting for their next victims. Though, unlike vampires, teachers act during the day.

  But if Beatrice is at the bus stop, everything is different. When her green eyes are wide open, they fill her entire face. When she lets down her red hair, it feels like the sunrise has smothered you. She has few words, carefully chosen. If she were a movie, she’d be a genre not yet invented. If she were a scent, she’d be early morning sand, when the beach is alone with the sea. Color? Beatrice is red. The way love is red. A tempest. A hurricane that sweeps you away. An earthquake that crumbles your body to pieces. That’s how I feel every time I see her. She doesn’t know yet, but one of these days I’ll tell her.

  Yes, one of these days I’ll tell her that she is the one for me and I am the one for her. That’s the way it is, and there’s no getting away from it. When she realizes it, everything will be perfect, like in the movies. I just have to find the right moment and the right hairstyle. I think it’s mostly a problem of hair. I would only cut it if Beatrice asked me to. But what if I lose my strength like the guy in that story? No, a Pirate shouldn’t cut his hair, and a lion without a mane is not a lion. There’s a reason my name is Leo.

  Chapter 2

  I once saw a documentary about lions. A male lion with a huge mane appeared out of the brush as a gentle voice-over said, “The king of the forest has his crown.” That’s what my hair is like. Free and majestic.

  A lion’s mane is easy to look after. I never have to comb it—just let it grow wild, as if every strand is a thought bursting out of my head, occasionally exploding and spraying out, like the exhilarating fizz that Coke makes when you first open a can. I give my thoughts to others and say a lot with my hair. It’s so true. What I’ve just said is so true.

  People understand me because of my hair. Well, at least, the others in the group do, the other Pirates: Sponge, Beanpole, and Curly. Dad gave up ages ago. Mom does nothing but criticize me. Nan nearly dies of heart failure whenever she sees me, but that’s no big deal if you’re ninety.

  Why do they find it so difficult to understand my hair? First they say, “You have to be original. Express yourself! Be yourself!” Then, when you try to show who you really are, they say, “You have no identity. You behave like all the others!” What kind of logic is that? I just don’t get it. You’re either yourself or you’re like everyone else. Either way, they’re never happy. The truth is, they’re envious. Especially the baldies. If I ever go bald I’ll kill myself.

  Anyhow, if Beatrice doesn’t like my hair, I guess I’ll cut it—but I want to think about it, as it could also be a strong point. Beatrice, either you love me the way I am, with this hair, or we’re going nowhere. If we don’t agree on the little things, how can we ever be together? We have to be ourselves and accept others as they are—that’s what they always say on TV—otherwise, what kind of love is it? Come on, Beatrice. Why don’t you get it? And anyway, I already like everything about you, so you have a head start. Girls are always ahead. How is it they always win? If you’re pretty, you have the entire world at your feet. You choose what you want, do what you want, wear what you want . . . Nothing matters because everyone looks up to you anyway. How lucky!

  Me, on the other hand, I have days when I don’t even want to leave the house. I feel so ugly I just want to hide in my room, never looking at myself in the mirror. White. With a white face. Colorless. What torture. But then there are days when I am red too. Where do you find a guy like me? I throw on the right T-shirt, pull up my jeans till they sit just perfectly, and feel like a god. Zac Efron, eat your heart out. I go out on my own. I could quite happily say to the first girl I come across, “Hey, gorgeous. Let’s go out tonight. Seize the incredible opportunity I’m offering you! If you’re with me, everyone will look at you and say, ‘How on earth did you manage to hook up with a guy like him? Your girlfriends will be green with envy!’”

  I’m a hero! I have such a full life. I never stop. If it weren’t for school, I’d already be someone.

  Chapter 3

  If I didn’t have to go to school, I would probably be more rested, handsome, and famous. My school is called Horace, like the Mickey Mouse character. The walls are peeling, and the classrooms have blackboards that are more gray than black, as well as frayed maps with continents and nations that have long faded or gone adrift. The walls are painted two colors, white and brown, like an ice cream sandwich. But there is nothing nice about school except the dismissal bell. And when it starts its incessant ringing, it seems to be screaming out at you, “Run for it! You’ve wasted another day inside these two-colored walls!”

  On rare occasions, school is useful—like when I suddenly feel down and I’m drowning in white thoughts, asking myself where I’m going, what I’m doing, if I’ll ever do anything positive with my life, if . . . Fortunately, the playground is full of people in the same situation as me. We talk about everything; we let go of the kinds of thoughts that ultimately lead to nothing. White thoughts lead to nothing, so white thoughts must be eliminated.

  In a McDonald’s that smells of McDonald’s, I devour hot French fries while Niko noisily slurps his huge Coke through a straw.

  You mustn’t think of white.

  Niko is always telling me that. Niko is always right. There’s a reason he’s my best friend. He is like Will Turner to Jack Sparrow. We save each other’s lives at least once a month because that’s what friends are for. Me, I choose my friends. That’s the good thing about friends. You choose them and you feel good with them because you choose the ones you want. Whereas you don’t choose your classmates. They just happen to you, and sometimes they are a real pain in the neck.

  Niko is in form B—I’m in D—and we play on the same five-a-side soccer team at school: the Pirates. A pair of soccer wunderkinds. There’s someone in class who’s constantly nervous named Electra. The name says it all. Some people condemn their kids with the choice of a name. I’m called Leo and I’m cool with that. I was lucky: The name makes you think of someone strong and attractive stepping out of the forest like a lion with a mane. Roaring. Or, at least in my case, trying to. Unfortunately, everyone’s fate is sealed in their name. Take Electra. What kind of name is that? It sounds like electric current, and the name alone is enough to give you a shock. That’s why she’s always on edge.

  There’s always a professional ball-breaker too: Giacomo—known as Stinker—is another name that brings bad luck! It makes one think of Giacomo Leopardi, who was a poet with a hunchback and no friends. Nobody speaks to Giacomo. He smells. And nobody has the courage to tell him. Since I’ve fallen in love with Beatrice, I shower every day and shave once a month. At the end of the day it’s Giacomo’s problem if h
e doesn’t bathe, though surely at least his mother could say something about it. But no. Anyway, it’s not my fault. I can’t save the world. Spiderman can see to that.

  Niko’s burp brings me back to earth, and in between fits of laughter I say to him, “You’re right. I mustn’t think about white.”

  Niko slaps me on the back. “I want to see you all hyped up tomorrow! We’ve got to put those losers to shame!” I beam with delight. What would school be like without the soccer tournament?

  Chapter 4

  “I don’t know why I did it, I don’t know why I enjoyed it, and I don’t know why I’ll do it again”: my life philosophy summarized in a Bart Simpson quote. Bart is my sole teacher and guide. Today our history and philosophy teacher is sick. Yay! We’ll get a substitute teacher. She’ll be the usual loser.

  You mustn’t say that!

  Mom’s threatening words ring out in my head, but I say it anyway. When needs must! A substitute teacher is by definition a concentration of cosmic loser.

  Firstly: because substitute teachers sit in for regular teachers, who are already losers—meaning a substitute teacher is three times a loser.

  Secondly: just for being a substitute teacher. What kind of life is that—taking over for someone who’s sick?

  That is, not only are substitutes losers, but also they bring bad luck to others. Loser to the nth degree. A loser is purple, because purple is the color of death.

  We wait for her to arrive. She’ll be ugly with an immaculate purple dress, and we’ll pummel her with saliva-drenched paper pellets fired with utmost precision from empty Bic pens.

  Instead, a young guy walks in wearing a shirt and jacket. Neat. Eyes too dark for my liking. Dark glasses too resting on his nose, which is too long. A bagful of books. He goes on about how he loves what he studies. That’s all we need, someone who believes in it. They’re the worst! I can’t remember his name. He told us, but I was busy talking to Silvia. Silvia is the kind of person you can talk to about anything. I’m really fond of her and I often hug her. I do it because she’s happy and so am I. But she’s not my type. I mean, she’s cool, you can talk to her about anything, and she knows how to listen and give you advice. But she doesn’t have that extra something: the magic, the charm. What Beatrice has. She doesn’t have Beatrice’s red hair. Beatrice just needs to look at you to make you dream. Beatrice is red. Silvia is blue, like all real friends. Whereas this substitute teacher is just a tiny black stain on a hopelessly white day!